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Friday, June 29, 2001

  • Tampa's Party Pirate Loses His Amateur Radio License
    Just a quicky, thanks to a post on the Free Radio Network's Grapevine -- Doug Brewer, who operated the Tampa, FL based "Party Pirate" unlicensed low-power FM station, until being shut down a year and a half ago, has been hit by the FCC again, according to this "ORDER OF REVOCATION AND OF FORFEITURE" from the Commission, losing his amateur radio license and fined $11,000 "for willfully and repeatedly violating Section 301 of the Communications Act of 1934, as amended." In their order the Feds "conclude, based upon evidence of Mr. Brewer’s 'pirate radio' and other unlawful activities, that he lacks the basic character qualifications to be and remain a Commission licensee."

    It seems to me that the FCC has already set the bar pretty low on the "basic character qualifications," given that they already tolerate the harrassment and generally bad behavior attributed to CEO Randy Michaels and the management of Clear Channel Communications, which owns 460 radio stations (and licenses) in the US. I have a really hard time believing that Brewer's activities can even hold a candle to Clear Channel's and wonder when the Commission, in all fairness, will come looking to reclaim those licenses.
    posted 6/29/2001 01:24:01 PM [link to this entry] [respond] [top]

  • The Results of Consolidation in Action: The Case of WXRT, Chicago
    WXRT is one of the last pioneering commercial FM rock radio stations left, still known for playing new artists and keeping a relatively eclectic playlist. However, the Chicago Tribune reports that is changing, seen most clearly in the dismissal of DJ Johnny Mars, who was responsible for introducing many cutting edge artists to the airwaves over the years.

    The station was bought (for $77 million!) by Infinity communications not long after the Telecom Act of 1996 loosened ownership restrictions for radio. The second article in Salon's excellent series on media consolidation examines the impact of the Telecom Act on radio, noting that the loosened ownership restrictions on radio that triggered the massive consolidation of the radio industry into the hands of just a few major players were added to the Act largely as an afterthought, with little or no consideration or debate by Congress.
    posted 6/29/2001 12:04:56 PM [link to this entry] [respond] [top]

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    Tuesday, June 26, 2001

  • Reporting on "The Media Borg" Requires Independence
    Taking advantage of their independence, Salon just kicked off a series of articles on corporate consolidation of the media with their first article, "Assimilating the Web." It's quite true what the editors point out in the series introduction: "Fox News is not likely to alert the public to the dangers of Rupert Murdoch's taking control of satellite television. Don't wait for CNN to crusade against the dumbing-down effects of media synergy."

    The trend and threat of media consolidation is not something new, nor has it gone unnoticed. Ben Bagdikian first brought the issue to the national spotlight in 1983 with the first publication of his seminal book The Media Monopoly, when there were far more players in the field than now. The path of consolidation has been consistently charted by updated editions of Bagdikian's book, media critics like Noam Chomsky, Edward Herman and Robert McChesney, along with media watchdog groups like Fairness and Accuracy in Media.

    It stands to argue that Salon is capable of reaching a mainstream audience of a size and type that may not already be exposed to this type of media criticism. And therefore it is refreshing to see an outlet use this reach to challenge the status quo, rather than simply settle into it. The fact that Salon has yet to be sucked up into a corporate media behemoth, which on the one hand has been the source of financial troubles, gives it the ability and impetus to report on and chart the abuses by these corporate media powers. While many mainstream outlets will report on isolated incidences of corporate malfeasance, they have no incentive to connect incidences together and see them in a larger context, quite simply because they benefit far too much from this system of abuse. I'm glad to see Salon continue to publish challenging commentary and journalism that is otherwise filtered out of mainstream sources, though I wonder how much longer they can hold out as a rogue (though perhaps peripheral) member of the mainstream as the price of doing business rises.
    posted 6/26/2001 01:53:52 PM [link to this entry] [respond] [top]

  • The Death of Free Radio Austin and Survival of Micro-Kind Radio
    The Austin Chronicle has a nice feature article on the history and shut down of unlicensed microbroadcaster Free Radio Austin, which is compared to Micro-Kind Radio in neighboring San Marcos, TX, which has managed to stay on the air through shrewd administrative and legal maneuvering.
    posted 6/26/2001 12:59:36 PM [link to this entry] [respond] [top]
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    Friday, June 22, 2001

  • Site Redesign?
    I've been thinking about redesigning the site for a while. Trouble is, I'm no designer. But what you see is my attempt. I'm curious to know what anyone might think--so e-mail me with any comments at paul@mediageek.org. To compare with the previous design, just look at any other page, which I haven't yet updated.
    posted 6/22/2001 03:23:58 PM [link to this entry] [respond] [top]
  • So, I don't have any major thoughts today, but I am enjoying the hell out of Rice University's college radio station KTRU. Very nice and eclectic mix of indie rock, avant garde experimental, and everything else, along with a very good fidelty at 64kbps Real Audio. Definitely the way college radio is supposed to be--specifically, not bad commercial-modern-rock wannabe.
    posted 6/22/2001 01:28:03 PM [link to this entry] [respond] [top]
  • Matt Welch at the Online Journalism Review pays a lengthy homage to Suck.com, which also functions well as a sort of best-of compilation.
    posted 6/22/2001 12:49:17 PM [link to this entry] [respond] [top]
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    Wednesday, June 20, 2001

  • For the Video Geeks:
    Extremetech has an exhaustive "overview and analysis" of the MPEG-4 video codec, along with comparison to other major video codecs including Real Video and Windows Media Video. I recommend it for anyone moderately familiar with the ins an outs of digital video and streaming.

    I also reviewed their sample clips encoded with the various codecs at various bitrates, and I agree that Real Video 8 and Windows Media 8 come out on top in both still frame and motion quality. In my opinion Windows Media 8 comes out slightly ahead in still frame quality and overall resolution and definition (though I hate to admit it), while Real Video 8 handles motion better, especially fast transients, which still seems to create mosaics in Windows Media even at high bitrates (500 kbps - 1mbps).
    posted 6/20/2001 03:17:19 PM [link to this entry] [respond] [top]

  • Shameless, self-promotion.
    Proving that Champaign-Urbana are two small towns, I'm quoted in yesterday's edition of our local paper, the News-Gazette. The article is "Two new newspapers plan to start publishing," which focuses on the Urbana Indymedia Center's plan to publish a newspaper--a project I've been involved in and so am quoted on. The other newspaper mentioned in the article, The Quad, appears to be a project of a local businessman and famous (in legal circles) cybersquatter. As far as I'm concerned, there can never be too many newspapers.
    posted 6/20/2001 12:22:30 PM [link to this entry] [respond] [top]
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    Tuesday, June 19, 2001

  • Cheap(er) DIY Video: Dazzle Hollywood DV Bridge
    Digital Post Production has a review of this little box that digitizes analog video (from your VHS, 8mm or Hi-8 VCR or camcorder) and outputs it to DV (firewire, iLink). It's intended to be used with computers that have a DV interface, like most Macs, so you don't have to install a more expensive analog video capture card. I've seen this thing advertised quite a bit and wondered about how good it would be, since it only costs $299 retail. The guys at DPP think it's great and give it high marks, saying it does a better job of digitizing than using the analog inputs on Sony's hi-end prosumer PD-150A camcorder. It's also convenient because your digitized video is in DV format and easily mixed with native DV from a digital camcorder, and easily shared cross-platform, which is harder with MPEG2 or other proprietary hardware codecs. Now I'm curious to try one out myself.
    posted 6/19/2001 12:37:46 PM [link to this entry] [respond] [top]
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    Friday, June 15, 2001

    Wired News reports on the FBI dropping its order for Seattle IMC's web server logs.
    posted 6/15/2001 10:52:37 AM [link to this entry] [respond] [top]

     

    Thursday, June 14, 2001

  • Police Violence in Sweden; Indymedia Reports from the Scene
    The European Union Summit is underway right now in Gothenberg Sweden, and beginning this morning Swedish police have been attacking protestors and the convergence center set up in Gothenberg. Early reports indicate that the attacks were unrpovoked and that the protestors were entirely non-violent before the attack. Tune in to the Sweden IMC's streaming radio station for up-to-the-minute news (in English, even), or check out the Sweden IMC page for written reports.
    posted 6/14/2001 12:24:32 PM [link to this entry] [respond] [top]
  • Indymedia Kicks Ass
    Seattle IMC announced today that the government has dropped its court order to obtain its web server log records, listing the IP addresses of all contributors and readers during the weekend of the Summit of the Americas, April 20-22. The delivery of the court order on April 21 caused a stir throughout the Indymedia universe when it was reported that the FBI had visited the Seattle IMC, but then further information was silenced due to a gag order that accompanied the court order. Less than a week later the IMC got the gag order lifted, although the FBI probably got the length of silence it needed. The IMC hasn't yet decided if it will continue legal action against the government. IMC counsel Nancy Chang of the Center for Constitutional Rights comments: "Although the court order has been withdrawn, the IMC's concerns over the government's ability to use internet technology for surveillance of political activists continue to linger."

    The Urbana-Champaign IMC received notice yesterday that it has become the first Indepdent Media Center to acheive federal tax-exempt, non-profit status. This is an important step forward for the Urbana IMC, making it easier to raise funds because contributors can now deduct them from their taxes. It is significant because it places the IMC on a par with other community organizations, and is a demonstration that the service and outreach it provides is indeed valuable. This acheivement is also important for the entire Indymedia movement, which is increasingly coming under fire from the rich and powerful, as you can see in the previous story. I hope that the U-C IMC can serve as a model and provide guidance to other IMCs and grassroots organizations looking to take this step.
    posted 6/14/2001 12:19:38 PM [link to this entry] [respond] [top]

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    Tuesday, June 12, 2001

    Another quick LPAM link: the Ionospheric Messenger #6 has some nice info. It's part of the Mediumwave Alliance website, which appears to be mostly abandoned since 1998 or so, but has useful stuff nonetheless.
    posted 6/12/2001 09:41:39 PM [link to this entry] [respond] [top]

  • FM Too Crowded? Unlicensed FM too risky? Try Low-power AM
    Breefree has assembled the start of a low-power AM broadcasting site. The rules for legal unlicensed broadcasting (Part 15) are somewhat more relaxed for the AM dial than FM. This makes it potentially easier to run a station that reaches a decent audience without the risks associated with running unlicensed FM stations over the Part 15 limit (typically just a fraction of a watt of power).

    One group using this method is Allston-Brighton Free Radio, in Allston, MA, which used to run an unlicensed LPFM operation as Radio Free Allston, but decided to stop when contacted by the FCC. The Boston Globe reported on them last month.

    WY2K is another legal Part 15 LPAM station in Springfield IL, put on the air by Billy Washington. Interestingly, Mr. Washington put the station on the air with the guidance and advice of the FCC, so that he could make sure he was operating within legal limits. I met Mr. Washington a few months ago when I spoke to the group organizing their Independent Media Center and he told me a little about his adventure, managing to even get an FCC agent to inspect his station and certify it as legal. Unfortunately, as he told the State Journal-Register, he considers his set-up a "trade secret," and declines to share it.
    posted 6/12/2001 03:08:03 PM [link to this entry] [respond] [top]

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    Monday, June 11, 2001

  • A DV Editing Box on the Cheap
    Digital Video Editing has a quickie on a cheap Duron processor based box they built for $350 using a used case that apparently does damn-well at video editing. It's nice to see that hardware capabilities right now exceed the demands of the software, so that needing to run the lastest version of MS Office, or even Adobe Premiere, doesn't mean you need the latest, fastest computer. Even an el cheapo box will do what you needed to spend $5k on two years ago... The tools keep getting cheaper, but I need more time to use 'em!
    posted 6/11/2001 02:52:04 PM [link to this entry] [respond] [top]
  • Coverage of Suck & Feed Shutdown:
    Both the New York Times and Salon have articles with details on the apparent demise of these two. The Times observes that along with Salon, these sites "were seen by many as embodying the democratic promise of the Internet, which would unleash a diversity of voices on the monotone media landscape"--a landscape the Times certainly populates, I might add. Salon's Tech & Business columnist laments Suck's & Feed's passing, but observes that the passage provides a counterargument to the dot-com-boom revisionist thinking that says focusing on a niche, rather than trying to be #1, is a superior method. But, then, Flakmagazine's James Norton adds Salon to the content-site deathwatch.

    So, I'm not the only one with an opinion on this?
    posted 6/11/2001 01:52:13 PM [link to this entry] [respond] [top]

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    Friday, June 08, 2001

  • The Web Is Still a Volunteer Medium; Web Independents Suck and Feed on Ice
    I was little dismayed today to find out two of my favorite "content" sites (to use "Internet-economy" jargon), Suck and Feed are--as the Feed editors term it--being put "on ice." The message from Feed's editors, dated today, indicates that the 'zine wasn't quite making its keep within the relatively new Automatic Media empire, and that it will be looking for a "new home." Feed's Automatic Media sibling, Suck, has a Q & A segment up explaining the "summer vacation" the site is taking.

    At first there were only rumors that Automatic had laid off its staff. Now those rumors are confirmed both in the company's discussion forum site Plastic, and on the company's homepage. Simply, the company ran out of money... not exactly a new story, eh?

    The reason I'm dismayed is that I enjoyed both sites quite a bit, for their refreshing combination of intelligence, irreverence and, especially with Suck, sick, childish humor. The content of either site never pandered or patronized, and was never too smart for its own good. And they managed not to get gobbled up by some larger corporate entity more interested in bolstering its "cred" than with the actual stuff on the site.

    This event is just another indication that, for better or worse, the web is still a volunteer-driven publishing medium. This means that if you're a large corporation like the New York Times, you volunteer to sink your money into running a website that doesn't make any money. If you're a geek like me, it means you volunteer your time to fill your site. But I'm only partially dismayed by this conclusion. I'm dismayed because I think it would be awfully nice if independently-minded writers, reporters and artists could make an OK living working for themselves, publishing kick-ass content on the web. I'm heartened because it means that, for all their money sunk into the vast chasm we call the 'net, the corporations that already dominate most of our mental environment still can't get a profitable foothold on the it.

    Automatic Media's Joey Anuff says that Plastic, which contains all user-generated content based on the Slashdot model, will stay in operation. Plastic user's aren't paid, they're volunteers. Willing volunteers who clearly derive rewards in contributing, yet unpaid nonetheless. But, realistically nobody's getting paid for what they do.

    And I won't beg you for money.
    posted 6/8/2001 04:59:28 PM [link to this entry] [respond] [top]

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    Thursday, June 07, 2001

  • A quick one... if you're interested in following the assignment of new low-power FM licenses, check out the LPFM Station Database.
    posted 6/7/2001 04:23:00 PM [link to this entry] [respond] [top]
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    Wednesday, June 06, 2001

  • FCC Crackdown on Indecency?
    The FCC is at it again -- this time the Commission has levied a fine against a Colorado Springs radio station for playing the Eminem song "The Real Slim Shady." The twist here is that the fine is for playing the edited version of the song, with its rampant dirty words bleeped out. But that's not good enough for the FCC, which says that the edited version of the song--supplied by Interscope records--nonetheless "contains unmistakable offensive sexual references."

    This action comes on the heels of fine levied on Portland, OR community station KBOO a couple of weeks ago, for airing a feminist rap song that the Commission deemed indecent. All of this was preceded by the release of the first ever policy statement by the FCC on indecency enforcement. For the first time since the Supreme Court affirmed the ability of the FCC to regulate when so-called indecent material could be aired on radio more than twenty years ago (FCC v Pacifica), the FCC clarified what exactly might be considered indecent material, and gave concrete examples of broadcasts that it ruled were and were not indecent.

    Prior to this document there was a common assumption in the radio biz that indecency primarily amounted to the "seven dirty words," and so the best way to avoid a fine was to avoid or bleep these words--which is what you have in the Eminem song. But a read through the new indecency policy makes clear that this alone is not what makes indecency, and, interestingly, simply having "dirty words" does not, in itself, make something indecent. The FCC explains that its criteria for indecency include: "(1) the explicitness or graphic nature of the description or depiction of sexual or excretory organs or activities; (2) whether the material dwells on or repeats at length descriptions of sexual or excretory organs or activities; (3) whether the material appears to pander or is used to titillate, or whether the material appears to have been presented for its shock value."

    It would appear that after releasing this policy document which the broadcast industry had been pushing for many years, the FCC is now serving notice to broadcasters that it intends to make good on enforcing its policy. As it is, the FCC was reticent of releasing such a document (that one commissioner calls a "how-to manual" for skirting the standards and avoiding a fine), and was forced into it through a court agreement with a fined broadaster.

    A final point that I think it's important to remember--and that seems to go missing from most news reports on indecency fines--is that indecency is only actionable when it is aired during the time when children are most likely to be listening. By law this time period is between the hours of 6 AM and 10 PM. The laws and policies on indecency are supposedly intended to protect children, not ban indecent material from the airwaves -- that is the crux of the Supreme Court's decision. This means that "The Real Slim Shady" can be played, edited or not, after 10:00 PM until 6:00 AM, without fear of a fine.

    As a community and college broadcaster, I can see both sides. I understand the need for creativity and to push the boundaries of "decency," but I also understand the need to make such material less accessible to children (although I think that's really a parent's job to choose to protect in the first place). Recognizing that indecency fines can be used a method to squelch unpopular or challenging speech, banning indecency from 6:00 AM to 10:00 PM stikes a not too onerous compromise between these competing interests. I also think that challenging standards of "decency" can be a cop-out, a way to shock without actually saying anything meaningful. That's clearly the case with most "shock jocks," who are not truly making a critique of the hypocritial nature of our culture and politics, so much as rolling in the detritus of our culture's baser instincts. I also don't think it's a huge burden to ask a station to put this material on later, or ask adults to tune in later. Even though I have a potty mouth myself all too often, I'm not sure I'm ready for what we came to call "all motherfucker radio," during discussions about dealing with indecency at WEFT.
    posted 6/6/2001 03:58:41 PM [link to this entry] [respond] [top]

  • NPR, Low-Power FM and a Klose Encouter: Finally the Full Story
    In March, 2001 I had an opportunity to question National Public Radio president Kevin Klose live on the radio during an edition of Urbana, IL NPR affiliate WILL-AM's call-in talk show, Focus 580. After the show I also spoke with Klose more on the issue. Unfortunately, right after the "encounter" I never quite had the time to do a full write up of the exchange, but did post some details on the site. Now, several months after the event I was motivated to write it up, after reading a nice article posted to Seattle Indymedia on the decline of NPR's reporting and its growing corporate-think: "How 'Public' Is National Public Radio?"

    You can read the full account in the commentaries section, or by clicking here.
    posted 6/6/2001 12:18:32 AM [link to this entry] [respond] [top]

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    Tuesday, June 05, 2001

  • Desktop Editing: Final Cut Pro Toppling Avid?
    Again, expanding on my commitment to feature news to DIY: Salon (again) has an article pondering "Apple's moviemaking revolution; Its cheap, fast Final Cut Pro software makes film editing affordable -- and threatens industry leader Avid."

    It's a good read for anyone working with digital video editing or looking to start. Personally, I've worked with Adobe Premiere for a few years and am pretty happy with it. The article mentions Premiere in passing, noting that it's relatively less stable than Final Cut. I haven't worked with Final Cut myself, but will admit that the previous version of Premiere (5.1) could be unstable on either a PC or Mac, especially when working with DV format video. But with the new 6.0 version I've found it to be a remarkably stable and powerful tool on both platforms with a variety of hardware--including simple IEEE 1394 interfaces, dedicated DV interfaces (firewire, iLink), and analog capture cards. My current workhorse system is a dual-Pentium III Xeon machine with half a gig of RAM running Windows 2000 and it's been stable as hell since the Premiere 6 upgrade. I'll also note that Premiere tends to be cheaper than Final Cut, with a $600 retail price vs. Final Cut's $995 price. And you can get Premiere bundled with capture cards and editing hardware for $700-$1000 complete. But if I were in a Mac-centric universe, I'd probably give Final Cut a try--quite simply Final Cut wasn't yet available when we jumped into digital video editing at work.

    But you can replace Final Cut Pro with the phrase "desktop editing" and the point of the article still rings true -- inexpensive desktop PC hardware and software are closing in fast on more expensive proprietary video editing systems like Avid. The Pros, for whom cost is second to ultimate quality, may not care and stick with expensive Avid systems. But for those just scraping by, it's an important trend indeed.
    posted 6/5/2001 04:30:54 PM [link to this entry] [respond] [top]

  • Payola and Radio Consolidation
    The issue of payola, or so-called 'pay for play,' has been receiving a fair amount of press coverage lately, bringing a fresh spotlight onto the vagaries that have accompanied the massive consolidation of the radio industry. The term 'payola' comes from a 1950s scandal where it was learned that record companies were manufacturing hits by paying off DJs and program directors for playing their songs. It was subsequently made illegal to do this without also informing the audience that the play was paid for. Now, it appears, the record companies have found a way to launder their dirty money by hiring independent promotion agencies who give stations promotional incentive money in exchange for adding songs to their playlists. The money is intended to be used to fund promotional efforts, but apparently nobody cares whether this money goes to a program director's pocket or the station's bottom line. Further demonstrating the corruption at hand, the nation's largest radio station owner, Clear Channel, has recently bought an interest in an independent promoter, creating a much more direct link between record company wallets and Clear Channel's bank account.

    But don't take my summary for it -- read the recent accounts yourself:

  • Slashdot today just published part 1 in a 3 part series on the topic.
  • Also today, Salon has an article about Columbia Record's experiment in scaling back payola.
  • Salon actually made the first step in exposing the modern version of the practice in 'Pay for Play,' published in March.
  • And, finally, read the Salon series on Clear Channel, proving that the site has some of the best media journalism on the scene right now.
  • Oh, yeah, one more.... check out the Balance Radio Broadcasting site, run by Ron Jacobs, a former high-powered radio programmer now trying to take aim at industry corruption. The site features accounts of several phone calls Jacobs received from Randy Michaels, head of Clear Channel, wanting to tell his side of the story that Salon reported on. Some folks have wondered out loud if Jacobs and his campaign are for real, suspecting maybe it's just a way for Clear Channel to exert spin control--in a bad pro-wrestling sort of way.
    posted 6/5/2001 03:00:21 PM [link to this entry] [respond] [top]
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    Monday, June 04, 2001

  • Progressive Commercial Radio Station Shuts Down
    RadioForChange, a progressive AM talk-radio and Internet station out of Boulder, CO, posted an announcement--apparently released last week--that the station ceased operations at noon on May 30. The station was operated by Working Assets, best known as a long-distance telephone provider that donates a percentage of profits directly to a variety of progressive causes. RadioForChange went on the air two years ago and scored instant credibility in the progressive media community by landing Laura Flanders as a host, who formerly reported for Fairness and Accuracy in Media's weekly media news and review program, Counterspin. According to the published statement, "the station has not been able to become a sustainable business either as a traditional broadcaster or as an internet broadcaster," and has been bought by Colorado Public Radio.

    In the scheme of things RadioForChange was a sort of a grand experiment since the majority of AM talk radio leans to the right or focuses on sports. Most progressive -leaning radio tends to come from non-profit community or college stations, which are also typically on the FM radio dial, and also feature a variety of music programs in addition to talk. Thus this station was unique in both its format and the fact that it tried to be a commercial station. A Daily Camera article quotes a radio consultant who said that, the station "likely suffered because its signal forced it to focus only on the Boulder area, making it tougher to gain listeners and advertisers." It probably also stands to reason that some of its audience was diluted by Boulder's community station KGNU which has a much stronger FM signal into the larger Denver metro area.

    I don't know if the quieting of RadioForChange indicates that progressive or liberal talk radio is not a viable commercial radio format. Personally, I kind of like to think that challenging and interesting radio formats can be viable commercial stations, especially if the stations are run for the value of the programming and to provide a reasonable living to employees, rather than to rake in profits at all costs. It's too difficult to separate RadioForChange's circumstances--having a weak signal in a market already decently served by progressive and public radio--from it's format. Maybe the station would have made a go of it if it had a good signal into Denver or were located in a city without a good community station. At least the station was sold to public rather than commercial radio -- although for $1.1 Million!
    posted 6/4/2001 09:07:37 PM [link to this entry] [respond] [top]

  • Poster Who Prompted Ohio Valley IMC Subpoena Arrested in Australia.
    According to a Melbourne Herald-Sun article posted on politechbot.com, Matthew Stephen Taylor, who goes by the on-line alias of 'proffr,' was arrested last Friday and charged with two counts of criminal damange, one for vandalizing a McDonalds, and one apparently for threatening police, politicians and other local officials on his website. The article notes that Taylor has also "come to the attention of the Australian Federal Police and the United States Secret Service." One might guess that the Secret Service's interest is based at least in part for a posting Taylor made on the Ohio Valley IMC site which was interpreted by some as an apparent death threat against the Cincinnati police officer who shot and killed Timothy Thomas in April. That killing touched off protests and riots in the city. Taylor's IMC posting caused a Cincinnati grand jury to issue a subpoena to the registrant for the Ohio Valley IMC's domain name, although the the owner successfully ignored it, since he lives in Kentucky, outside the court's jurisdiction.
    posted 6/4/2001 08:02:59 PM [link to this entry] [respond] [top]
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    Click here for news archives...

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    Friday 8/30/02:
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    mediageek.org is a resource of news, information, opinions and ideas about media -- especially making and using media.

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    news and opinions about important things affecting independent media are posted to the mediageek.org news blog just about every day. Check back frequently to keep up to date.

    linkback
    these fine sites link to the 'geek
    reclaimthemedia.org
    blowback
    anarchist librarians web
    action figures sold separately
    mlwebblog
    elsewhere today
    linkfilter
    c-u grassroots wireless 'net
    angels of the public interest
    the tom & darryl show
    the pwan's weblog without a name
    popCULT
    media reform info center
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    queen city soapbox
    teachingblog
    radio free blogistan
    chicago media watch
    the american times
    diymedia.net
    tompkins county green party
    a low hug blog

    Indpendent & Alternative News Resources on the 'Net
    (updated 3/13/02)
    here are a few sites i find useful for filling in the blanks and providing balance against the "official line."

    counterpunch (unrelenting muckraking)

    global indymedia (decentralized grassroots newsgathering and analysis)

    infoshop.org news kiosk (news and opinion from an anarchist perspective)

    machination.org (a constantly updated weblog pointing to the alternative news of the day)

    mediachannel.org (pointers to their own and others coverage)

    news dissector (a daily opinioned analysis of the news and media)

    webactive (progressive radio & audio online)

    wired news (civil liberties are key)

    world news (more rounded int'l perspectives)

    z magazine / znet (leading journal of progressive thought, run and organized in a progressive manner)

    mediageek newsblog archives:

    02/01/2000 - 02/29/2000
    03/01/2000 - 03/31/2000
    04/01/2000 - 04/30/2000
    05/01/2000 - 05/31/2000
    06/01/2000 - 06/30/2000
    07/01/2000 - 07/31/2000
    08/01/2000 - 08/31/2000
    09/01/2000 - 09/30/2000
    10/01/2000 - 10/31/2000
    11/01/2000 - 11/30/2000
    12/01/2000 - 12/31/2000
    01/01/2001 - 01/31/2001
    02/01/2001 - 02/28/2001
    03/01/2001 - 03/31/2001
    04/01/2001 - 04/30/2001
    05/01/2001 - 05/31/2001
    06/01/2001 - 06/30/2001
    07/01/2001 - 07/31/2001
    08/01/2001 - 08/31/2001
    09/01/2001 - 09/30/2001
    10/01/2001 - 10/31/2001
    11/01/2001 - 11/30/2001
    12/01/2001 - 12/31/2001
    01/01/2002 - 01/31/2002
    02/01/2002 - 02/28/2002
    03/01/2002 - 03/31/2002

    04/01/2002 - 04/30/2002
    05/01/2002 - 05/31/2002
    06/01/2002 - 06/30/2002
    07/01/2002 - 07/31/2002