Friday, August 31, 2001
How hard can you beat digital music until it's all underground?
Slashdot has this post on the "future of digital music," pointing to a pretty comprehensive article and report on NPR about the turbulent state of on-line radio broadcasting and a study that says consumers are hesitent to buy digital music on-line, noting that current digital rights protection schemes cause incompatibilities across platforms and players, making the process to difficult for the average consumer.
I've discussed the webcasting issue before, and it's good to see a (more) mainstream news organization like NPR give the issue fair shake. It's becomes increasingly clear that in its strongarm tactics to have all-encompassing control over its product, the recording industry is actually stunting its ability to make profits off digital music, either from webcasted radio or downloads. By making severe demands--and lobbying Congress to back up those demands in law--they've provided a strong disincentive for the radio industry and consumers to play ball with them. Perhaps they missed their economics class, or have lost their faith in the market? If they set their on-line webcasting royalties rate too high and therefore only a few stations decide to continue webcasting, then their profits pretty small--they've obviously priced their product above what the market will bear. But if they price their royalties at a rate that most stations can afford, the profits will likely come rolling in--they have to price it at what the market will bear.
Please excuse my little foray into simplistic market economics. I only bring it up because that is the very philosophy that the RIAA hides behind when it wants things its way, but only when it's convenient. In the real world, we can see that the radio market barely resembles a real market because of massive consolidation and monopolistic control, so it's understandable why the RIAA might need strongarm tactics, even if not forgiveable. But the unfortunate part of this is that independent, non-profit and community stations get caught up in this tide of uncertainty, and so are also given disincentive to broadcast online.
Frankly, I'm glad to the see the recording industry shoot itself in the foot, and I find it hard to miss hearing the same 40 crappy hit singles repeated ad naseum on 40 different webcasts from 40 different stations across the country. And if this only hurt the RIAA and Clear Channel Communications, I wouldn't shed a tear. But the battle is larger than that, and it significantly affects the ability of the Internet to be a haven for challenging, independent music programming that the hype and conventional wisdom have said it was supposed to be.
posted 8/31/2001 11:48:21 AM [link
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Wednesday, August 29, 2001
More evidence of the media's infamous liberal bias? Broadcasting and Cable reports that ABC Radio has given right-wing FOX News commentator Sean Hannity a "big-ticket multi-year syndication deal. For those not prone to much TV watching, or not watching FOX News, see this Focus on the Family interview with Hannity to get a better picture of the guy's views.
But Rush Limbaugh says the media's got a liberal bias! He wouldn't lie to us, would he?
posted 8/29/2001 12:26:29 PM [link
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Nielsen says that there's half a billion people on-line worldwide. Clearly, that's an important milestone, though I'm not sure what the larger meaning is. One thing you can extrapolate is that only 1/12 (8.3%) or so of the world's population is on-line. Suddenly, a big number becomes small. How does this compare to radio listenership?
posted 8/29/2001 12:17:25 PM [link
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Tuesday, August 28, 2001
FCC's Most Liberal Commissioner to Leave
The FCC announced yesterday that Commissioner Gloria Tristani, a Democratic Clinton appointee, will be leaving the Commission on Sept. 7. This gives Bush the rare opportunity to completely rework the FCC, appointing all 5 commissioners, two of whom must be Democrats. Which is also why it is unfortunate, since under the direction of Chair Michael Powell, the commission is on a rampage towards immense additional deregulation, of an entirely shortsighted and stupid sort. Although Bush has to appoint a Democrat, I'll be surprised if he doesn't make pains to appoint the most free-market-friendly, center-right, telecomm-industry-lovin' Dem he can find. Unfortunately, they're not in short supply.
Although I've disagreed with many of her positions--especially on the regulation of content--Tristani has nonetheless been the strongest voice against industry consolidation on the FCC, and the loss will be felt by everyone, whether we like it or not.
posted 8/28/2001 02:32:39 PM [link
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Infoworld says: 'Parasitic grid' wireless movement may threaten telecom profits; I say: so be it.
By 'parasitic grids' they mean free community networks using wireless ethernet to connect any user to the Internet via generous users' DSL, cable modem, or fatter connections. Of course, as I've stated here before, I think that's a good idea, since it's hard for most users to put the full bandwidth of their broadband connections to work and most websurfing is relatively low-bandwidth to begin with. And if this does but a bite into so-called '3G' services that allow for faster web-enabled cell-phones and the like, so be it.
The spectrum that all wireless services use is a 'public good' to begin with, and only false scarcity makes it a true commodity. The more efficient the use of it, the more the overall public benefit, and the less scarce it is. Thus, commercial wireless providers are, in a way, trying to profit on a public good (although now they've been forced to bid for it), and the typical way to do that is to add value, such as services. But, due to all sorts of bumbling around, it looks like 3G providers have yet to be successful at adding that value in any substantial way. They're spending millions of dollars on rolling out these services while the folks setting up wireless freenets are spending just hundreds.No wonder why the freenets appear to be winning.
It's funny that Infoworld would jump on the term 'parasitic grid' -- if this were 1999 and some new startup were offering free wireless access as part of its "business plan," would the word parasitic ever be applied? I think not. Yet NetZero and at least a hundred other completely flawed "give it away for free so we can make a profit" ideas ended up throwing away billions of dollars in startup capital, much of it wasted on parties, advertising and other promotional bullshit--all for what? And that's NOT parasitic?
The free wireless nets are just doing something better for free that a bunch of corporations so far have been unable to do with billions in investment--what's so wrong with that? Infoworld isn't saying outright that anything is wrong, but seizing on that word 'parasitic' clearly shows their attitude nonetheless. I guess I'm being a parasite when I throw a dinner party for my friends instead of making them eat out at a restaurant.
Thanks to my pal Arun for pointing this one out.
posted 8/28/2001 12:37:40 AM [link
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Monday, August 27, 2001
Make the Most of Indpendent Streaming Media
An enormous demonstration against the agents of global capital is in preparation for the Sept. meetings of the World Bank and IMF in Washington D.C. As it has for the last two years since Seattle, the Indymedia network will be springing into action to provide unfiltered coverage that isn't already sold before it's aired. The microradio network is working with the DC IMC to provide streaming audio coverage for on-line listening that will also be re-broadcast on community, LPFM and microradio stations around the world.
If the great microradio.net coverage from the FTAA in Quebec City is any example, there will be important news and discussions aired all day long and on into the night. Unless you choose not to sleep while the WB/IMF is going on, you risk loosing important moments--moments that you may want to listen to again.
I monitored and archived the FTAA coverage and the DC IMC's coverage of anti-inaugural actions last January by simultaneously recording the output of the mp3 stream using a audio recording/editing program (like Sound Forge or Cool Edit). That yields decent results, but because you're essentially doing a digital->analog->digital conversion, there is some slight sonic degradation. This degredation is worse the lower the bitrate of the original stream, and can get much worse if you compress that audio again as an mp3 or RealAudio file.
That's where a new open source application called Streamripper comes in handy. Now in version 1.2.6 this program allows you to store a streaming mp3 right to your harddrive, without any analog conversion stage, so that the file you have on your harddrive is the same quality that was streamed to you. Especially with lower bitrate mp3 streams, that should make it fairly easy to keep an entire weekend's worth of broadcasts on your harddrive for future reference and listening.
posted 8/27/2001 02:41:03 PM [link
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There are some interesting ideas for making your own DSL line in this here article by Cringely. The plan does require that you have a high-speed connection to the Internet at some point, but it does give good ideas for sharing it in what is likely a more economical way. I like the notion of setting up a neighborhood wireless network all fed from a network box across town. I guess what you need to find is some kindly benefactor with a fat pipe and a willingness to share if it doesn't cost her too much. Too bad it's near impossible to covertly install a copper pair on a university campus to share a little of that major bandwidth with the rest of the town.
posted 8/27/2001 12:18:48 AM [link
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Friday, August 24, 2001
Pacifica's Democracy Now in Re-Runs Due to Labor Dispute
This is something I've meant to post for the last week, but only just gotten to it now... sorry. It's been a tough two weeks for Amy Goodman, the host of the most popular nationwide progressive news program, Pacifica's Democracy Now. The program has been in re-runs since Tuesday, Aug. 13 when Goodman and her staff attempted to originate the program from a studio outside of Pacifica station WBAI, where the program is normally produced. The Democracy Now staff took this action after being moved to moved from their usual location in WBAI’s main broadcast studio to a smaller auxiliary production studio, and after an incident between Goodman and WBAI station manager Utrice Leid, in which eyewitnesses say Leid physically pushed Goodman. After this incident Goodman and her staff say that they fear for their safety at the station and cannot return to WBAI without strong assurances that they will be protected.
Since Aug. 13 Goodman and her staff have been producing Democracy Now from their outside studio, attempting to have it uplinked by Pacifica for national satellite distribution, which Pacifica management has refused to do. The show, however, has been distributed over the Internet by wbix.org (WBAI in Exile), which has made it possible for some affiliate stations to air the fresh editions of Democracy Now rather than the archive re-runs aired by Pacifica.
On Aug. 21 Goodman and the Democracy Now staff learned from the morning NY papers that they had been suspended without pay by Pacifica management, over their refusal to produce the program at DN. As of today, Democracy Now remains in reruns on the Pacifica network, and today Pacifica and WBAI's union, AFTRA, released a joint statement saying that they had reached an agreement on the safety of working conditions at WBAI, and that Goodman and her staff have been ordered to return to work. Supporters of Goodman have been openly critical of AFTRA, believing that the union shares a too-close relationship with Pacifica and therefore does not adequately represent the interests of its members and Amy Goodman.
This struggle over Democracy Now is the latest chapter in a more than five year old dispute between the Pacifica Foundation and a diverse organized group of listeners and former employees and volunteers who believe that the 50 year-old radio network has lost sight of its mission, forcibly instituting a rigid top-down management style, firing volutneer programmers and dissenting staff, and moving programming to the political center. The dispute reached a new climax two years ago when the entire staff of Berkeley, CA station KPFA was locked out of the station for almost a month, a situation echoed last December at WBAI when long term staff were suddenly fired over the Christmas holidays, in what has come to be called the "Christmas Coup."
For its part, Pacifica, in effect, says, "NOT."
posted 8/24/2001 03:24:36 PM [link
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Something else I just stumbled on: "Hardware Handshake: Listserv forms Backbone of National Free Radio Network," by Ted Coopman, a free-lance radio scholar/researcher, also responsible for Rogue Communication.
posted 8/24/2001 02:48:37 PM [link
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Hot Off the Presses: Micro-Film v2n2
For those interested in the power of independent and personal cinema, I can't recommend enough that you check out the newest issue of Micro-Film--it's a truly independent 'zine about independent film. I have an article in this issue on indy documentarian Kevin Keyser and his video "Free Radio." There's also: Coke Sams and Bruce Arntson on EXISTO; John Michael McCarthy’s SUPERSTARLET A.D., Brian Yuzna on FAUST, amongst others. Copies are available at select retailers, or you can order one by mail.
Just so you know, I promote Micro-Film here because I think it's a great project. Nobody's getting rich.
posted 8/24/2001 02:41:22 PM [link
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I just stumbled on Res Magazine, "the Future of Filmmaking." It covers the burgeoning world of digital video based filmmaking, and seems fairly interesting. After perusing a few of the articles they have on-line it seems that the magazine has a more professional focus, profiling already-successful actors, directors and producers who are working in DV, rather than focusing on the indy aspect of DV filmmaking, although I don't get the sense that this aspect is altogether neglected, either. Unfortunately I don't think I've ever seen this 'zine in any of my local mag racks, so I guess I'll have to order it up if I want to check it out in depth.
posted 8/24/2001 12:38:44 PM [link
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Monday, August 20, 2001
A Loss to the Pirate Radio World: Kirk Trummel, RIP.
Kirk Trummel worked in and wrote about the shortwave pirate radio scene for years, co-authoring the "Pirate Radio Survival Guide." I personally enjoyed his writing, comments and advice that he published on the Free Radio Network. Kirk died on Aug. 15 from terminal pancreatic cancer that he was diagnosed with just two months prior. His friend and website partner John Cruzan wrote this nice memorial.
posted 8/20/2001 03:04:37 PM [link
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Food for thought: MIT's Technology Review has this article on "Taming the Web," that deconstructs the myth that "information wants to be free," by critically examining the assumptions about the Internet which underlie it, but, in fact, may not be as iron clad as popularly believed:
Nonetheless, the claim that the Internet is ungovernable by its nature is more of a hope than a fact. It rests on three widely accepted beliefs, each of which has become dogma to webheads. First, the Net is said to be too international to oversee: there will always be some place where people can set up a server and distribute whatever they want. Second, the Net is too interconnected to fence in: if a single person has something, he or she can instantly make it available to millions of others. Third, the Net is too full of hackers: any effort at control will invariably be circumvented by the world's army of amateur tinkerers, who will then spread the workaround everywhere. Unfortunately, current evidence suggests that two of the three arguments for the Net's uncontrollability are simply wrong; the third, though likely to be correct, is likely to be irrelevant.
posted 8/20/2001 11:38:43 AM [link
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Wednesday, August 15, 2001
I know I toot the horn of the Indymedia movement frequently here, but I still want to recommend that you check out the IMC Radio Network site if you're looking for links and pointers to good independent radio reporting and programming. The site has an especially good and well annotated set of links to grassroots and progressive radio on-line along the left column of the front page. It's also a place where independent radio producers can upload their programs.
posted 8/15/2001 05:31:04 PM [link
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Russian Gov't Retakes Control of Media
According to the RFE/RL Newswire, "Russian President Vladimir Putin signed on 13 August a decree reestablishing federal government control over all of the Russia's broadcasting and relay stations for television and radio signals by consolidating them under the management of a single government corporation." Defending the decree, the Russian Media Minister says that the gov't is the only entity that can adequately fund the media.
Both President Putin and former President Yeltsin have had their fair share of conflict with the Russian media, with Putin taking a much harder line. While an American venture capitalist was readying to take over the Russian TV network NTV, is consolidated gov't control over the media an improvement? Unfortunately, I am not well informed on the state of Russian politics and the media, but I fear that neither option is very good.
posted 8/15/2001 05:27:39 PM [link
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Tuesday, August 14, 2001
How Good is that CD-R?
CD Freaks have this nice little article on CD-R media quality, and how to determine where a CD-R was made and how good or reliable it might be.
posted 8/14/2001 11:17:51 AM [link
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Monday, August 13, 2001
Tell me again about the media's liberal bias: "CNN, which is on record saying it wants to lure major star power to its ranks, is talking to ultra-popular conservative radio talk-show host Rush Limbaugh," says USA Today.
posted 8/13/2001 11:24:12 PM [link
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Alternative to MP3 Relased
On Friday the newest version of the Ogg Vorbis music compression format was released. Unlike mp3, Ogg Vorbis is completely open source with source and binaries available for Linux and Windows right now. Ogg Vorbis was created because, although it has become the format of choice for exchanging music online, the mp3 format is not truly free; a royalty fee must be paid to the Fraunhofer Institute of Germany and Thomson Multimedia for all encoding and decoding software. The principle and algorithm of mp3 are not open source.
Ogg Vorbis should be a valuable tool for the on-line exchange of grassroots radio programming and independent music--such as the A-Info Radio Project--which for many years was hampered by the absence of free mp3 encoders. Now mp3 encoders like Music Match Jukebox are freely available, but they are not truly free, since the software company is footing the bill for the royalties in the hope they can sell full versions of the software. Ogg Vorbis should also make it easier for hackers and open source programmers to create their own audio applications, and also allow for improvements to the fidelity of its algorithm. Frankly, mp3 has needed an update for quite some time, which is evident by the fact that RealAudio8, for instance, achieves similar fidelity to mp3 at half the bitrate, using Sony's ATRAC compression algorithm, which was devloped for minidisc.
Overall, OV creator Christopher Montgomery should be congratulated and thanked for this important addition to the free software universe.
posted 8/13/2001 02:21:02 PM [link
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Tuesday, August 07, 2001
More on Michael Powell
Tom Paine.com has another look at FCC Chair Michael Powell, taking a closer look at his political connections, especially those he has with Sen. McCain and Sen. Billy Tauzin and the broadcast industry. Despite his reformist stance, McCain is still one of the biggest recipients of broadcast industry campaign dollars, and Powell certainly reflects this pro-industry side well. The article sees the Republicans licking their lips at the prospect of furthering the career of this conservative, pro-business African-American who doesn't show any of the right-wing wackiness of an Alan Keyes, and who also isn't nearly as moderate as his famous father.
I sincerely hope that increasing public scrutiny of his unabashed anti-consumer stance at the FCC will help to dull the sheen in short order.
posted 8/7/2001 11:58:57 AM [link
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Monday, August 06, 2001
The Man at the Top of the FCC--38 Years Old with a Lot of Friends
Salon's excellent media reporter Eric Boehlman gives this critical bio of FCC Chair Michael Powell, and his rise to the top of the FCC before age 40. A choice quote reveals much: "To recap, here is the list of friends in high places who reached out in succession to help Powell over the last few years: former Transportation Secretary Coleman, Judge Edwards, former Secretary of State Christopher, Assistant Attorney General Klein, Sen. McCain and President Bush."
posted 8/6/2001 04:55:17 PM [link
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My New Cheap Camcorder -- How Good?
Last week I received my Panasonic PVDV900 digital camcorder that I bought at auction on Ubid.com. I'm a big believer in not paying full price for technology and gadgets, and also a big believer in not buying in at the top of the curve. You get far more for your money by buying a reasonably up-to-date device that isn't the newest model full of the latest tricks. You are also far less likely to end up with a piece of hardware that may end up unsupported in the near future.
But about the camcorder... I bought it because it was cheap -- $350 -- and also a decent model towards the top of Panasonic's consumer line back in 1999-2000 (when it cost $800 - $1000). If you're willing to buy on auction there a number of digital camcorders available in the $400 - $600 range, mostly from RCA, JVC and Sharp. The main problem with a lot of these models is their lack of microphone or headphone jacks. Sound is important in video--more than most video newbies realize. But the built-in microphones on most camcorders suck, and without headphones plugged in while shooting you can't be sure if you're getting any decent sound in the first place. The PVDV900 has both these important jacks.
Like almost every other camcorder, the PVDV900 has a flip out LCD screen--this one is 2.5". A decent size, but not great. The viewfinder is black and white, which I find to be superior to color, giving you more detail and making it easier to do manual focus. Manual focus is important for doing decent video, since autofocus deals poorly with motion, frequently hunting for something to focus in on, causing the picture to go annoyingly slightly in and out of focus. Doing manual focus is best on Sony camcorders because they give you a real focus ring around the lens, just like a SLR still camera, but this is an unusual feature. The PVDV900's manual focus is next best, operated by a little wheel located just underneath the front end of the camera. With the focus adjustment located there you can keep one hand supported underneath the camera and focus, providing a little more stability and a shooting experience a little more like a good SLR. Canon's under-$1200 DV camcorders also use a little wheel to adjust focus, but it's located on the back of the camcorder, which I find difficult to adjust while looking through the viewfinder. The only problem with the PVDV900's focus arrangement is that it puts your hand right by the built-in microphone, causing the potential for interference with the sound. That's another good reason to use an external microphone.
Although nice and sharp the viewfinder can be a pain to use because it doesn't pivot or move at all. If you're going to hold the camcorder anywhere but in front of your face you have to use the LCD screen to monitor your shot. Otherwise the cam is comfortable to hold and not too heavy or too light. I must admit that I'm pretty old school when it comes to camcorders. I really don't like the little handheld "palmcorder" paradigm very much and pine away for the days of consumer-level shoulder-mount cams. It's very difficult to hold the little camcorders stable in front of your face, and your arms get tired much more quickly. Shoulder mount adds a great deal of stability to your shot, and as long as you don't have a 35 lb. camera, stamina isn't much of an issue. Unfortunately, there is only one consumer-level shoulder-mount DV camcorder available--all other shoulder-mount cams are pro models costing in excess of $4000.
Shooting control and ergonomics are important, but they don't count for much if the picture isn't any good. Yet, all too often I find that camcorder reviews give short shrift to the important element of picture quality, only repeating the printed specs and noting major flaws. There's a lot more to picture quality than the big problems and what the manufacturer claims the resolution is. So with regard to picture quality the PVDV900 is good, but not great. In my short shooting experiments, all done outside in bright daylight, I find colors and contrast are pretty true. There is no manual white balance, but the sunlight preset seemed accurate to me. On a pro-level Sony 13" video monitor I could see some artifacts and loss of detail along the edges of objects--most likely the result of the resolution (or lack thereof) of the cam's single CCD (the chip that picks up the picture). I haven't looked at the picture on a plain old TV, so I don't know how visible this would be to the average viewer.
My workhorse camera at work is a Sony PD-100A, which is a prosumer version of the consumer-level TRV-900. It's a three-chip camcorder, which means that it employs a separate chip to pick up the three component colors of video: red, green and blue. I can clearly see the difference in picture quality between the PVDV900 and my Sony -- the Sony is much sharper, with barely visible artifacts. Of course, the Sony retails for $2600--a big jump from $250.
At work I also use two Canon camcorders: the Elura and the Optura Pi (isn't it nicer to give camcorders actual names rather than numbers?). I've used the Optura the most, and I think that it's picture quality is a hair better than the PVDV900's. The Optura Pi is a 2001 model costing $1200 retail (but about $1000 on the street), so it probably benefits from slightly better, newer tech. But I'll need to do a good side-by-side comparison to really come to a conclusion about which is better.
Already, I do know this: the Panasonic PVDV900 is a damn nice camcorder for $350. Ubid seems to still have a bunch that they're selling right now. It's a auction, so your ultimate buying price will vary. Back stock and refurbished units are available all over the place--try doing a search on Pricewatch. Epinions also has some reviews (though not too in depth) of the PVDV900, along with links to sites selling it for cheap.
I'll think I'll make this the first entry in my new reviews section once I've had a little more time with this cam and had a chance to compare it with the others.
posted 8/6/2001 12:49:32 PM [link
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Thursday, August 02, 2001
Media Consolidation in Canada
In the already very consolidated Canadian media market, the Canadian Telecomm authority (CRTC) approved on Aug. 3 the renewal of 7-year broadcast licenses for CTV, which is part of the same company that owns the Globe and Mail newspaper, and Global. The CRTC also gave it blessing to CTV's intention to combine its news operations with CanWest, which owns a small network of TV stations, the Southam newspaper chain and half of The National Post, one of Canada's largest newspapers. This deal is roughly equivalent to Rupert Murdoch's News Corp. combining news operations with ABC, and means the potentially major loss of journalistic diversity in Canada. To help keep track, the CBC provides this summary of Canadian media ownership.
posted 8/2/2001 07:19:41 PM [link
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Wednesday, August 01, 2001
Another Progressive Radio Station Lost
Times are tough in New York. First there have been major troubles at Pacifica station WBAI. Now, as the NY Times reports, the city is set to lose another progressive voice on the radio airwaves when station WEVD turns over management to ABC, which will program it with the satellite-based ESPN Radio. Started in 1927, WEVD takes its call letters from Eugene V. Debs and has been owned by the Jewish Daily Forward since 1931. Apparently the Forward was interested in selling the station outright for about $90 million, but ABC refused to pony up that much.
Just like in the Pacifica battle, there has been listener opposition to a sale of WEVD--they operate a website called SaveWEVD.
This is the second such loss of liberal/progressive radio, after the Working Assets-owned Radio for Changein Boulder, CO called it quits back in June. A significant factor in these deals is the inflated cash value of radio stations, especially in large markets, triggered by the relaxation of ownership limits brought on by the Telecomm Act of 1996. When an owner is either not making much money--as in the Radio for Change example--or is losing money on other properties--like the Forward which lost $2 million on its paper--it's hard to turn down the huge cash infusion brought on by selling or turning over management of broadcast property. Where before the Telecomm Act an independent owner might hold on to a station that was brining in reasonable profits, since the selling price might not outweigh the accumulated value of the station's profits and the value of operating it, now that the selling price can be in the tens of millions of dollars, there is much less incentive to hold on. With an intensely competitive ad market that results from large station group owners selling agressively priced packages for ads on multiple stations, independents who are unable to offer such packages see their ad revenue shrink. Thus selling out is often the only economically viable option.
Unfortunately, it looks like the FCC is primed to begin a whole new round of deregulation, and so it seems we can only expect things to get worse.
posted 8/1/2001 05:13:37 PM [link
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More Digital Video Editing
Tom's Hardware does it again with this very useful and complete guide for building a digital video capture and editing system. The guide includes reviews of several very popular capture cards costing from $100 - $1000. It's part two of a series -- part one is here.
posted 8/1/2001 02:38:51 PM [link
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