Friday, November 30, 2001
Some New Additions to mediageek
In my quest to make information on mediageek I'll be organizing blog posts, articles and other things into what I'm calling the mediageek files. The files will be organized into major subject headings for topics that get a lot of attention here. The first one is on pirate/free/micropower/low-power radio, which you'll see also linked on the right.
I also added the mediageek library, which is a collection of books that I think are useful in becoming more aware and savvy about the modern mass media. Each book listing has a short review and a link to Powells.com where you can buy the book. mediageek gets a small commission on each purchase which helps offset the costs of keeping this non-profit enterprise going. I picked Powells.com rather than Amazon or another high-profile on-line bookseller because Powells is still very much an independent bookseller that is concerned about and focused on books. Powells got their start in Portland, OR and now their store, the "City of Books," takes up several city blocks downtown. Simply, Powells approach and philosophy is consistent with my own and those of this site.
posted 11/30/2001 05:47:39 PM [link
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Thursday, November 29, 2001
On-line Pirate/Micro-Radio Conference This Sunday
LUVeR 'net radio is hosting an on-line conference on pirate/micropower radio, Sunday Dec. 2 from 3 - 9 PM EST. You can listen in via streaming audio, and participate via phone. Planned participants include John Anderson, of the (pirate) Radio Page at About.com, and Prof. Michael Townsend, of the University of Illinois at Springfield and a close associate to Mbanna Kantako. Go to the LUVeR website for more details.
posted 11/29/2001 11:33:43 AM [link
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Duh: Ted Turner Thinks Cable TV Consolidation Is Bad
Wired News has this report from the cable TV industry's annual trade show where during a luncheon talk Ted Turner--formerly of AOL/Time-Warner/Turner--expressed regrets for selling his cable empire to Time-Warner and admitted that consolidation in the cable TV industry is hurting diversity.
I think this one falls into the "a little too late" category. I don't think Turner could ever be accused of being the most progressive guy--despite his occasionally liberal-leaning politics. While it's not bad to hear the once-mogul admit that the media consolidation he had a hand in maybe wasn't so good for the people, it falls a bit flat, since he still made millions doing it. I'll take him more seriously when he donates a few of those millions to the likes of Free Speech TV and Indymedia, to help repair some of the damage he had a hand in. Or maybe he could pay for them to have some leased time on one of his former networks, like TNT or CNN. Instead of just whining about the lack of diversity, he could do something about it.
posted 11/29/2001 11:02:34 AM [link
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Wednesday, November 28, 2001
Low-Power FM Barn-Raiser
The Prometheus Radio Project is a group dedicating itself to seeing new noncommercial low-power community FM radio stations get on the air. They've been hard work helping groups put in their applications for LPFM licenses and have promised to help get stations constructed for those who receive licenses. One of the first such groups to receive a license is the South Arundel Citizens for Responsible Development, located in the Chesapeake Bay area of Maryland. Now to get the station on the air Prometheus is sponsoring a "barn raising", modeled after the Amish tradition where the entire community comes together to raise a new barn on a farm. In this case the entire low-power FM community is invited to learn how to put a station on the air and to help put it into action. This is a very cool opportunity to learn more about DIY radio engineering, and help get another noncommercial radio voice on the air. You can register here.
Some previous posts on low-power FM:
House of Representatives votes to kill LPFM (4/17/00)
A letter from Sen. Dick Durbin on LPFM (6/4/00)
Letters from Sen. Peter Fitzgerald on LPFM (7/13/01)
Pirate Radio Won't Go Away (11/2/01)
Bill to Cripple LPFM Passes (12/16/01)
The Nat'l Assoc. of Broadcasters Gloats Over LPFM Bill (12/19/00)
Ron Sakolsky writes on "The LPFM Fiasco" (1/23/01)
Klose Encounters: Questioning NPR Pres. Kevin Klose on the Network's Opposition to LPFM
posted 11/28/2001 05:34:42 PM [link
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More on Pacifica Agreement
Current, the public broadcasting journal, reports on the agreement at the embattled Pacifica Network to nominate an interim board of directors to revise the network's bylaws and (hopefully) reform long standing problems and abuses.
A major component of the plan is to bring back more democratic control over the network by its 5 network-owned radio stations and their listeners. Five members of the new 15-member interim board will be appointed by the local advisory boards of each station -- one from each. Before this happens, the local advisory boards are themselves to be democratized by being elected by the stations' members. Pacifica has member-funded noncommercial radio stations in Berkeley, CA, Los Angeles, New York City, Washington, DC, and Houston, TX. For easy digestion, SavePacifica has this summary of the Pacifica National Board’s resolution to reconstitute itself.
Although I am cautiously optimistic and happy to see such an agreement come out of the more than five year long battle over the Pacifica Network, there is also a somewhat glaring omission in the list of planned changes -- the affiliates. Part of the growth of the Pacifica Network can be attributed to the fifty-some community and public station affiliates that carried its programs like Pacifica Network News and Democracy Now. Unfortunately, many of those affiliates have left the network as many of the network's problems trickled down. At my local community station, we had many simple "customer service" problems with the network, including a ridiculously difficult time negotiating an affiliation contract. It was Pacifica's very refusal to negotiate in any manner of good faith that finally caused WEFT to sever ties.
It is reasonable and smart for Pacifica to focus on getting its own house in order as a first priority. But I hope that doesn't cause the new regime to take the affiliates for granted, and I hope that effort is made to again treat these fellow community stations with the due respect they deserve.
posted 11/28/2001 05:16:52 PM [link
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Sunday, November 25, 2001
Happy Birthday Indymedia!
Friday, Nov. 23, was the 2nd birthday of the Indymedia revolution. On Nov. 23, 1999, the first Indymedia website went online and received its first post, just days before the streets of Seattle erupted in protest against the meetings of the WTO. The success of the protests and the volunteer citizen-journalists who covered them sparked a new paradigm in alternative media that has now spread to every continent except Antartica. Two years later there are 69 regional Indymedia websites, and many of these regions also have actual physical centers where citizen-created media is made.
One of these centers is the Urbana-Champaign IMC, where I volunteer too much time. The U-C IMC celebrates the first anniversary of our non-profit incorporation on Friday, Nov. 30, and will celebrate the first anniversary of our space on Jan. 19, 2001. Take my advice: this is the time to get involved in the Indymedia center nearest you!
posted 11/25/2001 06:32:05 PM [link
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Sunday, November 18, 2001
Breakthrough at Pacifica?
SavePacifica is reporting that a plan to democratize the embattled Pacifica Network was agreed to by the Pacifica National Board. The plan would turn control over to an interim board made up of five members elected by the current board and five by heads of the five Pacifica Local Advisory Boards. Democracy Now will return to being broadcast by the network pending the resolution of labor complaints filed against Pacifica and the management of WBAI, the station where the show originates.
For earlier mediageek coverage of Pacifica:
Two More Opinions on Pacifica
Pacifica's Democracy Now in Re-Runs Due to Labor Dispute
posted 11/18/2001 09:41:00 PM [link
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Tuesday, November 13, 2001
More on copy protected CDs and unintended consequences for radio: ZDNet has an article that also references FatChuck's site, and those wacky Brits at the BBC proclaim with alliterative style, "Pirate-proof pop goes public." The Beeb's article notes at the end that one of the new copy protected CDs, Natalie Imbruglia's new album, showed up on file-sharing networks before it was available in stores.
That's the problem with these types of anti-piracy efforts is that they up the ante and force folks who are going to fileshare regardless of protections to find different techniques. My experience on P2P networks is that a lot of the new songs and albums available have come from pre-release CDs sent to radio stations, record stores and other people on promotion lists. I wonder if the record industry is copy protecting those. If so, then they're causing a lot of problems for radio stations.
One snag in this plan is that most commercial radio stations now run under some kind of automation and store most of their music on hard drives. Although they have the physical CDs, most of them are ripped to the automation system's drive (usually at full uncompressed quality). If copy protected CDs prevent this, then it's like telling radio stations "please don't play this CD." But then if the industry sends unprotected CDs as promos, those CDs will make their way into the hands of file-sharers, some by way of underpaid station employees, and some by way of used CDs stores, which are usually stuffed to the gills with liberated "promotion only" CDs. I'd be curious to hear from commercial stations if there have been any problems or if they anticipate any as a result of copy protected CDs (at WEFT, the community station where I do a show, we don't use automation at all).
posted 11/13/2001 10:33:22 AM [link
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Monday, November 12, 2001
FatChuck's is keeping a list of "corrupt CDs" that are made to inhibit your ability to copy them or play them on computers or Playstations (but supposedly play OK on CD players)--via ResearchBuzz.
Although I guess some poor schmuck has to find out before you that a CD can't be ripped or enjoyed on your computer, it's good to know in advance whether or not you should waste your cash on a CD that's been crippled by the music industry. It's par for the course that mass-market-produced schlock like the new Britney Spears and Michael Jackson discs are protected, since their shelf-half-life can't be more than a few months. But I'm surprised that the corrupt CD list includes such avant-gardists as Einstuerzende Neubauten and, in Europe, black-metallers (and anti-Christian) Marduk. Of course, odds are that the artist has little input on this being done to their discs.
posted 11/12/2001 02:05:22 PM [link
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Pacifica, pacifica, pathetica....and public radio
As I reported on my program yesterday, the embattled Pacifica radio network continues to hobble through a minefield of controversy, as its management hunkers down to maintain power at all costs--even if that cost is the health of the very network itself. In summary, the most recent news is that Pacifica National Board was on the verge of settling 4 separate lawsuits with plaintiffs charging that the Board had made illegal and undemocratic by-laws changes that shuts out any input or control over the network by its 4 local stations, which provide much of the network's funding. And then the Board backed out. Supporters of the lawsuit plaintiffs and the save/free Pacifica movement continue with plans for demonstrations at the Pacifica National Board meeting in the Washington DC area this coming weekend.
In the larger perspective, the problems with Pacifica find their roots the late 80s to early 90s attempt by public and community radio to shore up their finances and decrease reliance on federal funding by streamlining and professionalizing their programming. Arguably, this was also a process of mainstreaming programming. This process turned out to be anything from easy to bloody, depending on the station, with Pacifica the epitome of the bloodiest. Unfortunately, the blood is the result of ham-fisted management approaches that attempted to force decisions made at the top onto staff and volunteer accustomed to having far more input over the course of decisions and programming. When resistence was met, rather than backing off or trying to negotiate amicable compromises Pacifica management simply pushed harder and cracked down. That started more than 5 years ago.
Perhaps the most prominent architect of the move to statistics based programming and revenue analysis is David Giovanni of Audience Research Analysis -- the company that has provided data and rationale for the public radio streamlining project for the last 20 years or so. In community radio this approach, all-too-ironically called the "Healthy Station Project," was a collossal failure, especially due to community radio's eclectic and democratic approach. But Giovanni has been significantly more successful in public radio, though at what is subject to debate.
The New York Times just published an article heaping praise on Giovanni for helping to save public radio. His approach really isn't complex -- it basically amounts to correlating audience ratings with the time when audience pledge calls come in to figure out what program is on when the most well-heeled listeners give money. Without a doubt it is successful in identifying an affluent audience and giving direction for catering to them. What is up for grabs is whether this actually saves public radio, or really just turns it into "country club radio," that doesn't turn a proft, but manages to do quite well, thank you, by giving good service to the moneyed intelligentia.
Certainly this approach has saved some public stations from bankruptcy, and helped others go from funky, open and free-wheeling stations to large, well-established broadcast houses. But what it's also done is leave a whole lot of listeners out in the cold, along with a whole lot of information and culture. Not to mention leaving an entire radio network on the brink when it proved unable to simply institute a wholesale change in philosophy and approach entirely counter to what it's core volunteers, employees and listeners wanted. Do not mistake, despite all his rhetoric about serving an audience, Giovanni's approach is not about the audience. It's about a demographic willing to give lots of diposable income to public radio when it serves their desires. It is not about the public at all, since the public is a much more diverse group not at all equally able to donate tons of money to public radio. To really save public radio you need to find a way to fund it while also serving as broad a segment of the public as possible, not just the most affluent members and their wannabes.
This is not a wholesale indictment of public radio, its programming and the way it does it business. But neither can one ignore how this push for affluence in one's audience also pushes the programming to reaffirm the elite establishment rather than challenge it. Sure, that elite establishment might (and I do mean might) be more liberal than Rush Limbaugh. But cow-towing it hardly counts as serving the public, since most American's lie far outside this rarified realm.
The result is that thirty years after its creation public radio arrives as part of the establishment, casting aside the marginalized who once might have found a home there. The result is NPR lobbying against small low-powered FM radio stations. The result is that when speaking about the media, "liberal" has been successfully relocated to the center, and center has been moved to the right.
The moral of the story: sometimes common sense--what Giovanni insists he dispenses--is neither so common nor sensible. Creating radio that serves the actual needs of citizens in a democratic society is harder than selling them creature comforts when that's what they've come to expect from their media. Choosing to join in the dominant approach because attempting to adhere to different (noncommercial) principles is difficult doesn't really require much genius, and really isn't something to be so proud of.
posted 11/12/2001 01:57:26 PM [link
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Radio Free Conscience News
I posted a transcript of the news updates portion of my biweekly radio show to the Urbana-Champaign IMC site. Click here to read it.
posted 11/12/2001 12:52:49 PM [link
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Thursday, November 08, 2001
According to this thread on the Free Radio Network LPFM Grapevine, EBay sent an e-mail to a seller that indicates that it is now prohibiting the sale of low-power FM transmitters on its site. Although when I just did a search for "FM transmitter" moments ago it returned several auctions for equipment useful for micropower operation at a few watts of power -- just like the 5 watter that Ebay bounced.
Of course, Ebay is pretty porous, and all sorts of nefarious, illegal or other stuff deemed unacceptable to the mainstream gets auctioned everyday, apparently despite the company's filtering efforts. Still, if indeed Ebay is keeping a closer watch for unlicensed transmitters, this may indicate that they're receiving pressure from authorities of some kind, which may also indicate that more attention is being paid to the selling and distribution of these transmitters, which, it's important to note, is completely legal. The risk lies in using it.
Clearly, the best advice is buyer beware.
posted 11/8/2001 02:48:41 PM [link
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Tuesday, November 06, 2001
Hey, the latest issue of Micro-Film, the Champaign-Urbana, IL based journal of personal filmmaking, is out. I've got an article in this issue which features an interview with Kevin Keyser, the documentary filmmaker behind FREE RADIO. In addition to my article this issue is chock full of other good stuff that'll keep you reading: indie film scene reports, indie film reviews, comix come alive in film, and more. You can read and buy it on-line at insound.
posted 11/6/2001 12:47:39 AM [link
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Friday, November 02, 2001
Counterpoint: On the Madison-IMC site Wankstor X. Muzzlebutt provides a far more critical analysis of the Wired article on the CNN-Indymedia story from yesterday.
I agree with Wansktor's overall analysis -- I admit I didn't think too hard about the article before. Mostly, I judged the article against the typical standars of the mainstream media, and on that plane it's pretty fair to Indymedia, with the understanding that the mainstream approach is typcially pretty short on analysis (and effort -- journalists prefer not to have to hunt too hard for quotes or data). Wankstor's correct in pointing out that CNN is nevertheless not given the same level of scrutiny as Indymedia, and that the author's approach demonstrates a certain ignorance of open publishing, evidenced by his attempts to get a "definitive" or "official" comment out of Indymedia. Of course, the author fails, because there is no "official" or "definitive" line -- it's a dialogue contributed to by folks from everywhere. It just goes to show that even those of us who consider ourselves to be very critical of the mainstream media still are taken in and assimilated to its norms. You gotta keep that critical apparatus up and running constantly.
posted 11/2/2001 06:11:26 PM [link
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Copyright, Fair Use, Free Speech
SiliconValley.com asks "Whatever happened to fair use?" and provides a nice overview of the issues at play between the record industry, which wants to control exactly when and how you listen to their product, and the listener, who just wants to pay $15 and be left alone to listen, rip and burn that CD however she wants.
And yesterday a California State Appeals court ruled that the code for the DeCSS program that allows a user to decrypt the data on a video DVD so that it can be viewed on a Linux box or copied into another format is protected under the 1st Amendment as "pure speech." So, at least in the state of California, you can distribute this code to your heart's content. Unfortunately this decision has little bearing on the fight over DeCSS going on at the federal level, which so far has rejected the argument that the code is protected speech. Both Wired and ZDNews report.
These two issues are inextricably linked, because using DeCSS allows a DVD owner to exert her fair use rights over the movie in the DVD, by making a backup copy of it, for example. But, like a simple photocopier, technologies that allow for fair use duplication also typically allow for duplication that violates copyright laws. The line between these is hard to build into any technology -- the judgement still lies with humans. The entertainment industry's attack on technologies that allow duplication represents its unwillingness to trust a user to act in a fair way, as well as the industry's clear desire that fair use rights not exist at all. Unfortunately, in effect, outlawing duplicating technologies or hobbling them so significantly as to render them useful only under the industry's direct control is like outlawing cleaning agents, darts or kitchen knives because they can be used for harmful things in addition to their constructive uses.
It remains to see how fascist our elected representatives are willing to become in order to save us from ourselves. Of course, these are usually the same reps. who place immense faith in the libertarian ideal of the free market, which, all too ironically, is founded on the principle of leaving people to do as they will, but with the knowledge that they risk consequences if their actions are harmful. It seems like our Congresspeople are much more willing to trust GE, Microsoft and Disney than you or me. Somehow they interpret copying that $15 CD as more dangerous than operating a coercive monopoly. I wish I could muster some surprise at that.
posted 11/2/2001 04:33:16 PM [link
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Thursday, November 01, 2001
Wired News reports on CNN.com banning the word/s "Indymedia" and its variants from its chat rooms. I had read the initial story on Indymedia but somehow it didn't register with me -- I'm glad to see Wired follow up on it and take the issue seriously.
I think it is interesting and laudable that several exclusively on-line news sources like Wired News and Salon have taken the Indymedia movement seriously as a journalistic enterprise, rather than just ignoring it or treating it like a fringe movement. While I'd certainly place these two organizations firmly within the realm of the mainstream media--their operating principles are essentially the same--it seems like some of the open and libertarian ideologies that permeate the hard-core Internet community also take root there. There seems to be an affinity for the independent and some disdain for the monopoly.
Of course, one has to recognize that while they are mainstream they are nonetheless niche or fringe mainstream -- they don't reach an audience of the type or size of CNN. Arguably they reach the congnocenti or digerati, not the average media consumer. CNN's blocking behavior demonstrates clearly the hostility and suspicion with which mainstream media and journalism views the idea of placing open publishing tools in the hands of citizen-journalists. Unfortunately, that behavior does mean that the message of its very existence is blocked from many people who might be enlighted and enlivened by it.
posted 11/1/2001 01:52:39 PM [link
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