May 31, 2002
Jason Pitzl sent me a

  • Jason Pitzl sent me a link to this Laura Flanders column on how Google apparently pulled ads placed by Body Shop founder Anita Roddick because she called John Malkovich a "a vomitous worm." Google says that her site violated their editorial policy against 'sites that advocate against groups or individuals.' So does that mean the Southern Baptist church can't advertise either, because they're against homosexuals and Satan?

    Posted by paul at 02:04 PM
  • May 30, 2002
    Oh yeah, givin' the beat-down

  • Oh yeah, givin' the beat-down to the man: Look Out, Corporate America, Here Comes My Pirate Radio Station." A six block radius that rocks the onion.

    Posted by paul at 01:59 PM
  • The Washington Post has a

  • The Washington Post has a profile of the regional Clear Channel operation in the DC area. Sure, Clear Channel is losing money this year, but they're still laying waste to the radio dial while they bleed. My prediction: either they'll swallow a few more companies in different sectors of the entertainment business to bolster their balance sheet, or they'll get bought by a bigger more diversified fish.

    Posted by paul at 01:55 PM
  • May 28, 2002
    The Electroinc Frontier Foundation put

  • The Electroinc Frontier Foundation put together a fun and informative Flash animation on the evils of Hollywood's plot to coerce Congress into locking up all our intellectual property (via boingboing).

    Posted by paul at 08:15 PM
  • Couldn't agree more: Alen Cox

  • Couldn't agree more: Alen Cox asks in the Media Guardian, "But who are the real pirates?" A hint -- it's not kids with camcorders.

    Posted by paul at 11:31 AM
  • May 27, 2002
    Analyzing AOL/Time-Warner -- Profits and "Success" Aren't the Real Story

  • Analyzing AOL/Time-Warner -- Profits and "Success" Aren't the Real Story

    The On-Line Journalism Review's senior editor J.D. Lasica has written a fairly lengthy analysis of AOL/Time-Warner and its impact on journalism, especially for millions of people for whom the AOL start screen is their first welcome to the Internet every day.


    Lasica rightly points out that

    "In recent weeks the news media have lavished saturation coverage upon the company's woes. But almost all of the attention has focused on the its incredible shrinking stock price; the prospect of layoffs; or the new parlor game among analysts and pundits of predicting what the empire's breakup might fetch.Meantime, barely a column inch has been written about the impact of the merger and the company's financial troubles on other key players: the public."

    He then turns in a decent overview of some of the issues facing the company, but still really fails to raise any really new questions or answers. He dedicates a whole page to an interview with media scholar Ben Bagdikian (of Media Monopoly fame), who expectedly alerts us to the pitfalls of synergy and holding journalism to a profit standard. I have no quibbles with that, except that's where Lasica leaves it. Significantly, none of these important concerns are raised with either of the AOL/T-W execs who Lasica interviews. Shouldn't they be held to defend the effects of synergy? So what results really reads like 4 separate and discrete interviews with a limp introduction and summary, leaving us with only the obvious yet ineffective advice that
    "The public needs to keep vigilant watch that the company's wide-ranging journalism operations are not sacrificed on the altar of Wall Street profits."

    Sure -- we can can keep "vigilant watch," but what good does it do? Is keeping watch enough? I can vigilantly watch an angry mob tear down my house, but that doesn't stop them from tearing it down.

    I'm glad that Lasica broaches the public interest question and further quotes Bagdikian extensively without having to have his every assertion countermanded by some corporate shill. But I'm not going to pretend that it's enough. If we want a responsible media that is duly respectful of the fact that journalism is protected by the constitution because it provides a valuable service to citizens in a democracy, then that fact needs to be posed not just to scholars and critics, but to the profession, and more importantly, those who rule the profession. We have to think practically and concretely about how we can hold AOL/Time-Warner accountable to the privileges of passing itself off as a journalistic enterprise. We have to demand that AOL/T-W justify itself and the work it does, not merely accept its profits (or lack thereof) and audience size as proof.

    And simply because this big experiment in old media/new media synergy might be rocky doesn't mean that the species is near extinction, nor does it mitigate the damage such concentrated media ownership does to our democracy. While I hope and believe that such mega-corporations would collapse under their own weight, who do they take out when they fall? Just because they haven't been as successful as their CEOs and stockholders would hope doesn't mean that they haven't been successful in exerting undue and dangerous control over the news and information we're bombarded with every waking moment.


    Who cares if they make money by carpet bombing us with news about Britney's sex life if we can't avoid it either way? The damage of missing data and stories that are vital to informed citizenship is already done. What we need to do is figure out how do we mitigate the damage or stop it alltogether, not just watch it happen.

    Posted by paul at 05:20 PM
  • May 25, 2002
    DIY Is Key To Enlivening the Forgotten and Missed Places

  • DIY Is Key To Enlivening the Forgotten and Missed Places

    Detroit's Metro Times profiles -- with only a tiny bit of condescension -- a new Detroit anarchist bookstore / infoshop called Idle Kids (via NewPages weblog -- check out their 'Zine Rack). This is the type of project I like to hear about, especially coming from relatively downtrodden cities like Detroit or from smaller, out-of-the-way places (hmm, like Urbana?). Sometimes when you live in a less exciting city where there isn't already some prominent underground or countercultural activity it's easy to think that it isn't possible there, and that to find it you'd have to move someplace like New York, Chicago, Portland or San Francisco. But if everyone who's critical of the status quo moves to these cities, then we essentially cede the smaller cities and suburbs to forces and ideologies and control that we're opposed to in the first place. If all the activists, lefties, anarchists, artists and freaks left San Francisco, then there would be no opposition left to keep it from being turned completely into a yuppie playground and tourist-trap amusement park. How cool would that be?


    This isn't to say that you should stay somewhere that you're lonely and miserable. Instead, I'll point out that every scene and institution had to be started by somebody, often 2 or 3 somebodies. It takes a little more effort to start something new than to move to somewhere it's already happening, but that process of building can be much more rewarding, also. Instead of simply putting up with the way someone else things something -- a co-op, restaurant, bookstore, coffee shop, infoshop -- should be run, you can have an active role in making it to your and your compatriots' liking.


    Living in East-Central Illinois I've grown tired of people who spend their time here -- usually as students of some type -- complaining about the place and how there isn't much to do, there isn't anything cool, and so on. First, I get annoyed because I don't think that's actually true. You can't expect two cities with a combined population of about 100,000 to have as much sheer stimulation and activity as Chicago and New York. In fact, you're going to have to look a little harder to find it than you would in the middle of Manhattan. But it is here.


    Secondly, just complaining about there being nothing is self-defeating, lazy, and is utterly symptomatic of the consumer culture. Instead of waiting around for someone -- typically someone with a lot more money than you who's interested in having some of your's, too -- to provide you with something interesting to do, why not endeavor to create something yourself? Odds are, if you spend any effort looking around at all (and not just asking your four closest friends/acquaintences), you'll find a co-conspirator or two. And, especially if your plan is not to rake in the bucks hand-over-fist, but to instead create something interesting that will enrich your's and others' lives, then you likelihood of having some success is pretty high if you give it a sincere try.

    The Idle Kids in Detroit may or may not have a long successful run, but if they stick around more than a year or so, they're likely to influence someone to try her hand at creating something, too, be it a bicyclists group, a study group, artists studio, or whatever. First hand I've seen the power of community organizations like community radio and the Indymedia Center movement serve as catalysts for new projects and programs that symbiotic but also blaze new territory. From stimulating our local music scene, to providing a forum for people and groups to connect, these two organizations -- one 20 years old, the other not even 2 -- together create a sense of excitement and possibility. And they took neither genius nor riches. Just ideas and hard work.

    Posted by paul at 09:12 PM
  • Working Assets Radio's Laura Flanders

  • Working Assets Radio's Laura Flanders -- previously of FAIR -- details the threats to small independent publishers in her most recent column. Market power = extortion power; nothing less, nothing more.

    Posted by paul at 08:18 PM
  • May 23, 2002
    In my referrer logs I

  • In my referrer logs I found reclaimthemedia.org, which is the home of the Cascadia Media Alliance. The site's an organizing point for the Community Media Conference in Seattle, Sept 9-14. It looks like the site is just getting off the ground, but there are already some good articles that I'll have to read.

    Posted by paul at 11:25 PM
  • May 22, 2002
    Explaining the Stakes of Media Consolidation & Deregulation

  • Explaining the Stakes of Media Consolidation & Deregulation

    Neil Hickey, editor at large of the Columbia Journalism Review, does a little question-and-answer style overview of the issues involved in media ownership regulation. For the most part he makes things clear and honestly confronts reality, such as in these answers:

    Q: If this subject is so important, how come the general public knows so little about it?

    A: Because broadcast and cable news people practically never cover it....
    Q: How do newspapers handle the story?

    A: The great majority bury it in the business pages, if they treat it at all. Don’t forget, many big newspaper companies own television stations and stand to benefit from deregulation....

    But Hickey shows his allegiance to the commercial media status quo in tackling the question of restoring regulations -- he says
    "that’s not realistic. The deregulatory trend has proceeded so far in the last half-dozen years — since passage of the 1996 Telecommunications Act — that it’s irreversible. The goal, however, is: don’t throw out the baby with the bathwater. Reasonable people on both sides can agree on minimum, necessary rules to preserve a diversity of news and opinion."

    Well, maybe, if the media industry were reasonable. But I don't consider the quest to own every possible media property and establish monopolies at the expense of all else to be reasonable. And regardless of what they're PR flacks attempt to spin out, that is what every major media conglomerate is after. Sure, they tolerate and give lip service to competition because it's an entrenched element of the dominant ideology, but if they could slay the competition and have a legal monopoly with the flick of a wrist, any one of them would. They only nominally respect the existence of competition in their sector because the law nominally requires it. The only time they fight for competition is when they want to move into a sector -- like cable TV or residential phone service -- that they're currently barred from. As soon as they're inside they'll fight to the end of the earth to keep all competitors out.

    The ruling media conglomerates are myopic, foolishly greedy and give absolutely not a shit about you or me. That's not reasonable, so I refuse to hope for a reasonable outcome.

    Posted by paul at 03:42 PM
  • May 21, 2002
    Copyright Office Rejects CARP

  • Copyright Office Rejects CARP

    The Register of Copyrights and the Librarian of Congress have apparently seen what was obvious to most rational people -- that the arbitrated agreement for the royalties to be paid by webcasters to the recording industry are absurd. They have released an order rejecting the agreement. Wired news has coverage, as does Newsbytes. However, there's not much else to report since the order was released without comment. Doubtless more details will be forthcoming.

    Previously:


  • Webcast Music Fees Set, But Not So Friendly to NonComms, 2/21/02
  • Posted by paul at 10:35 PM
  • May 17, 2002
    May 16, 2002
    Wired News logs the brief

  • Wired News logs the brief history of Napster in "The Day the Music Died." At the same time one of my favorite filesharing programs, WinMX, just released the new "milestone" version 3, which adds, amongst many features, multi-source downloading. This type of downloading means that you can get different parts of a file in question from multiple places simultaneously, which can speed up downloading if all the hosts have smaller bandwidth than you can handle (which is most of the time, since most consumer broadband connections have bigger download pipes than upload). This makes it competitive with apps like Kazaa which force you to deal with or circumvent all sorts of spyware. Can't wait to try it out.

    Posted by paul at 01:48 PM
  • May 14, 2002
    Napster is dead. But filesharing

  • Napster is dead. But filesharing lives on and on.
    Previously in mediageek:

  • Digital Media Distribution: Is the Honeymoon Over? 10/10/01
  • The End of Peer-to-Peer? 4/5/01
  • Independent Music? 2/13/01
  • Posted by paul at 07:44 PM
  • Anita, of Low Hug fame,

  • Anita, of Low Hug fame, gave me a couple of issues of TapeOp magazine--which I discovered only by picking up the compilation volume The Book About Creative Music Recording--and, like the book, I'm enjoying the hell out it. It's just chock full of great ideas and advice for the DIY recordist, whether you're using a pawn shop four-track or a real studio. She also pointed out to me that subscriptions to the magazine are free, if you're willing to deal with 3rd class postage. Hell yeah, I am -- I'm a cheap bastard.

  • Wired News' Brad King notes

  • Wired News' Brad King notes that bootleg copies floating around the Internet aren't putting dent into the box office sales of blockbusters like Spiderman. King attributes it to the theater experience of these films' massive special effects, and I'd agree. I could see myself downloading Spiderman or Attack of the Clones because I'm lazy and haven't found time in my schedule to drag my ass to the theater. But having tried to download movies and finding that it takes more effort than theater-going, my laziness is much more likely to result in not seeing the movie at all.

    Posted by paul at 10:13 AM
  • May 13, 2002
    LawMeme has a well considered

  • LawMeme has a well considered essay on the appearance of new movies, like Spiderman and the new Star Wars, as bootlegs on file sharing networks and pirate VCDs/DVDs. Especially nice is the author's explication of the "digital copies are more dangerous" myth, by noting that most analog pirates (like a VHS tape bought on the streets of NYC) are just one or two generations away from the master, whereas the downloaded file is at least one generation from the master. But, most importantly, the downloaded file is in a lossy codec, where lots of data, and quality, has been chucked out to make the file small enough to transfer over the web. Even the transfer from a DV camcorder tape recorded in a theater to a DVD-R requires some lossy data compression that can and probably will affect quality. (and my experience with most consumer-level DVD/MPEG-2 encoders says that there can be quite a bit of quality loss, especially if you're source isn't pristine). Long live common sense.

    Posted by paul at 09:57 PM
  • May 08, 2002
    The On-line Journalism Review covers

  • The On-line Journalism Review covers three former print publications that decided to go Internet-only, mostly for reasons of cost and the difficulty of maintaining good distribution of an actual paper magazine. One site is LiP, which is a lefty, progressive monthly that I read when it was a print 'zine out of Chicago, and continue to read now that it's on-line. I'd even say that it's gotten more sophisticated and consistent than when it was in print, still without sacrificing it's edge.

    Posted by paul at 01:23 PM
  • May 07, 2002
    Business Week has a nice

  • Business Week has a nice short interview with everyone's favorite cheerleader for sensible copyright rules, Lawrence Lessig. No revelations here, though I'm glad to see him explain his logic to the short-attention-span business audience, who are the guys who need to hear it (whether I like that fact or not). I think his final comment sums things up well:

    "We don't need a new vision. We just need to recognize what the traditional vision has been. The traditional vision protects copyright owners from unfair competition. It has never been a way to give copyright holders perfect control over how consumers use content. We need to make sure that pirates don't set up CD pressing plants or competing entities that sell identical products. We need to stop worrying about whether you or I use a song on your PC and then transfer it your MP3 player."

    Posted by paul at 01:51 PM
  • May 06, 2002
    Clear Channel Readying to Conquer Print, too

  • Clear Channel Readying to Conquer Print, too

    San Francisco Indymedia reports on Clear Channel's plans to take over sidewalk newspaper distribution in the Bay Area. The enormous radio and promotions company has a proposal in front of the San Francisco's Board of Supervisors to control new newspaper kiosks in the city that will replace traditional newsracks.


    Cross-ownership is nothing new, but CC's move to take over street-level distribution is canny, since it's monopoly creates an implied threat against all newspapers and print publications in SF that rely on newsrack distribution. Who needs to control the actual presses when you can limit how the papers that come off them get into readers' hands? For papers, if they criticize or piss off CC then they risk losing a critical way to reach readers. And then what if CC takes over a daily or a weekly?


    Previously:


  • Radio Consolidation --> Radio Corruption 3/8/02
  • Attacking the Nation's Largest Radio Giant 1/29/02
  • Posted by paul at 02:28 PM
  • May 02, 2002
    Appeals Court Orders Revisit of Former Pirates' LPFM License Rights

  • Appeals Court Orders Revisit of Former Pirates' LPFM License Rights

    Back in February the DC Court of Appeals ruled that former radio pirates should be eligible for low-power FM licenses, contrary to FCC rules. Unfortunately, yesterday that court vacated its own ruling, ordering a rehearing of the case. This update comes from Greg Ruggiero, who filed the challenge against the FCC's anti-pirate rule:
    In a negative development for LPFM activism and free speech, the Federal Court
    of Appeals for the D.C. circuit announced this morning that it has vacated its
    recent decision in the case of Greg Ruggiero vs. The FCC, and has ordered
    rehearing en banc, meaning that the argument will be heard by the entire bench
    of 8 active judges.


    Attorneys from the Center for Constitutional Rights who represent my case,
    Robert Perry and Barbara Olshansky, expect that the new hearing will take place
    no later September 2002.


    On September 6, 2002, Robert Perry and the FCC argued against each other in
    court, and on February 8, 2002, the U.S. Federal Court of Appeals for the D.C.
    circuit announced their decision in favor of Ruggiero. In essence, the Court
    ruled that the Congressional restriction under the Radio Broadcasting
    Preservation Act that bars people who had engaged in civil disobedience
    (broadcasting without a license) from ever being permitted to apply for a LPFM
    license violates the First Amendment.


    In their Feb. 8 decision the Court said the Act raised "a suspicion that
    perhaps Congress's true objective was not to increase regulatory compliance,
    but to penalize pirate micro broadcasters' message."


    The full text of the Court's excellent Feb. 8 ruling can be read at:
    http://pacer.cadc.uscourts.gov/common/opinions/200202/00-1100a.txt

    We are prepared to continue arguing against the prohibition. Eventually this controversy could make its way to the U.S. Supreme Court.


    la lucha sigue,


    Greg Ruggiero

    Brooklyn, NYC


    Previously on mediageek:

  • Evaluating LPFM's Legal "Victory" 2/11/02
  • Posted by paul at 11:57 PM
  • Who's the Real Pirate?

  • Who's the Real Pirate?

    Dave Marsh, of Rock and Rap Confidential, proclaims in this Counterpunch article that the real music pirates are the music industry, citing the fact that most musicians, even those on major labels, can barely make ends meet and lack such luxuries as health insurance.

    Posted by paul at 10:50 AM